![]() "Since I attended Garfield, man, the CD has changed dramatically. One of Language of My World's best tracks, "Claiming the City," details Macklemore's anxieties about the swiftly tilting cityscape around him. He recalls annoying bike cops, skating behind Taco Del Mar, and that charged, something-real-is-happening feeling in the air around the time of the WTO-a feeling that's since passed. Places to kick it and participate in ciphers with his people-like in front of Seattle Central, where he attended Running Start classes his junior year Louisa Boren Park, across from the cemetery on 15th Avenue East: an "epic spot" where he and his boys would hang, chew 'shrooms, and bug out on the panoramic views of Lake Washington and the Cascades. ![]() My boy Frank lived on Broadway," Macklemore chuckles, "and we'd link up and go hustle, meaning the old hey-we're-raising-money-for-team-uniforms trick then we'd take that money, buy equipment, weed, whatever."Īs we speak, Mack lists his old favorite neighborhood spots, remembering times and rhymes past. Drinking 40s, writing, scheming on ways to get over. "For a while, the spot was the wall of the Comet Tavern, before they put that painting or whatever up there it was a free wall, and it ended up just being a spot to chill and network with like-minded cats. "As soon as my parents let me strike out on my own, hop the bus and whatnot, I was looking for something to get into." There were, however, plenty of spots to get into something-in his own backyard. "Yo, I did the same kinda things a lotta kids that are into hiphop did coming up-you know, skating, graffiti," Macklemore explains. I grew up on Capitol Hill with two parents and two cars/they had a beautiful marriage, we even had a swing set in our yard. ![]() Unlike Sluggo's Midwest meditations, however, Macklemore can be identified as a product of Seattle after one listen to his record. Although he may scarcely appreciate the comparison, Mack's style evokes Atmosphere's Slug, minus the Rhymesayer's more flagrant emo histrionics. Even on the more boastful tracks, one can sense his decompression, his willingness, or rather his need to put it all out there, bolstered by the necessary skills to back it up. Macklemore's style is confessional, intimate, self-conscious kicking off his LP with his incisive "White Privilege," he clearly isn't pulling any punches, especially toward himself.
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